Which fantasy writer are you?

This is the result from a quiz I took a few months ago. Usually these things are so simplistic that the answer is unsatisfying but in this case I was not familiar with the resulting author. I was intrigued and felt like I had to wait until I had read at least one book before posting. Finally I have read Across the Nightingale Floor, which I did enjoy. Curiously it is marketed as an adult book in the US but in the UK it seems to be Young Adult.

Your result for Which fantasy writer are you?...

Lian Hearn (b. 1942)

-21 High-Brow, 7 Violent, 15 Experimental and 13 Cynical!

Congratulations! You are Low-Brow, Violent, Experimental and Cynical! These concepts are defined below.

Lian Hearn is the pen name used by Australian author Gillian Rubinstein when writing theTale of the Otori series, beginning with Across the Nightingale Floor (2002). The trilogy (which has spawned a sequel and a prequel) was a great success, becoming bestsellers world-wide and being published in more than thirty countries. Part of the reason for the series' success is probably that it is traditional fantasy but with a twist: The books are set in a country resembling feudal Japan, rather than some vaguely European environment. This setting gives Hearn a great opportunity to explore themes such as war, revenge, power hunger and clashes between cultures, all of which makes for an occasionally very violent tale, where nothing is ever coated in sugar. The books also feature at least one strong and very believable female character. While there have been japanese-style fantasy written by Westerners earlier (such as the Book of Years series by Peter Morwood), Hearn uses the brilliant technique of describing her world from inside, calling typical japanese phenomena by generic names rather than exoticising Japanese terms. Thus, swords are called swords, not katanas, we hear of wrestlers and realize that they are sumo wrestlers, characters eat bean curd rather than tofu, etc. All in all, Hearn has succesfully expanded the borders of what can be done within the genre, while still writing for a mass audience!

You are also a lot like C S Lewis.

If you want something more gentle, try Orson Scott Card.

If you'd like a challenge, try your exact opposite, Susan Cooper.

Your score

This is how to interpret your score: Your attitudes have been measured on four different scales, called 1) High-Brow vs. Low-Brow, 2) Violent vs. Peaceful, 3) Experimental vs. Traditional and 4) Cynical vs. Romantic. Imagine that when you were born, you were in a state of innocence, a tabula rasa who would have scored zero on each scale. Since then, a number of circumstances (including genetical, cultural and environmental factors) have pushed you towards either end of these scales. If you're at 45 or -45 you would be almost entirely cynical, low-brow or whatever. The closer to zero you are, the less extreme your attitude. However, you should always be more of either (eg more romantic than cynical). Please note that even though High-Brow, Violent, Experimental and Cynical have positive numbers (1 through 45) and their opposites negative numbers (-1 through -45), this doesn't mean that either quality is better. All attitudes have their positive and negative sides, as explained below.

High-Brow vs. Low-Brow

You received -21 points, making you more Low-Brow than High-Brow. Being high-browed in this context refers to being more fascinated with the sort of art that critics and scholars tend to favour, while a typical low-brow would favour the best-selling kind. At their best, low-brows are honest enough to read what they like, regardless of what "experts" and academics say is good for them. At their worst, they are more likely to read what their neighbours like than what they would choose themselves.

Violent vs. Peaceful

You received 7 points, making you more Violent than Peaceful. Please note that violent in this context does not mean that you, personally, are prone to violence. This scale is a measurement of a) if you are tolerant to violence in fiction and b) whether you see violence as a means that can be used to achieve a good end. If you are, and you do, then you are violent as defined here. At their best, violent people are the heroes who don't hesitate to stop the villain threatening innocents by means of a good kick. At their worst, they are the villains themselves.

Experimental vs. Traditional

You received 15 points, making you more Experimental than Traditional. Your position on this scale indicates if you're more likely to seek out the new and unexpected or if you are more comfortable with the familiar, especially in regards to culture. Note that traditional as defined here does not equal conservative, in the political sense. At their best, experimental people are the ones who show humanity the way forward. At their worst, they provoke for the sake of provocation only.

Cynical vs. Romantic

You received 13 points, making you more Cynical than Romantic. Your position on this scale indicates if you are more likely to be wary, suspicious and skeptical to people around you and the world at large, or if you are more likely to believe in grand schemes, happy endings and the basic goodness of humankind. It is by far the most vaguely defined scale, which is why you'll find the sentence "you are also a lot like x" above. If you feel that your position on this scale is wrong, then you are probably more like author x. At their best, cynical people are able to see through lies and spot crucial flaws in plans and schemes. At their worst, they are overly negative, bringing everybody else down.

Author picture from http://www.lianhearn.com, used by kind permission.

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